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Omari Douglin (b. 1992, Brooklyn, NY) lives and works in Los Angeles. In 2019, Douglin received an MFA from the Milton Avery Graduate School of the Arts, Bard College. He received his BFA from The Cooper Union in 2015. 

Solo and two person exhibitions include boutique O, Matthew Brown, Los Angeles (2024); Four Paintings, Sebastian Gladstone, Los Angeles (2023); Scam Likely, with Lukas Quietzsch, Ramiken Crucible, New York (2023); Wave Gods 2, Ramiken Crucible, New York (2023); The People of Micki Meng, Nicki Meng, San Francisco (2022); Montage Ontology Domain, Theta, New York (2022). 

Recent group exhibitions include Apple in the Dark, Harkawik, New York (2022); Their private worlds contained the memory of a painting that had shapes as reassuring gas the uncanny footage of a sonogram, curated by Sedrick Chisom, Matthew Brown, Los Angeles (2022); Stanley and Marta’s Holiday Fête, Stanley’s, Los Angeles (2021); Mother and Child, Friends Indeed, San Francisco (2021);  and Deathbound and Sexed, Theta, New York, NY (2021).