Sasha Gordon (b. 1998, Somers, NY) lives and works in New York. She graduated from The Rhode Island School of Design (RISD) in 2021.

Solo exhibitions include Surrogate Self, Institute of Contemporary Art, Miami (2023); The Flesh Disappears, But Continues to Ache, Stephen Friedman Gallery, London (2023); Hands of Others, Jeffrey Deitch, New York (2022); and Enters Thief, Matthew Brown, Los Angeles (2021). 

Recent group exhibitions include Yours Truly, Nahman Contemporary, New York (2024); Overflow, Afterglow: New Work in Chromatic Figuration, Jewish Museum, New York (2024); RE: REPRESENTATION, James Fuentes, New York (2024); Together in Time: Selections from the Hammer Contemporary Collection, Hammer Museum, Los Angeles (2023); Papertrail, Matthew Brown, Los Angeles (2023); Heroic Bodies, organized by Collaborations by Tania and Thomas Asbæk, Rudolph Tegners Museum, Dronningmølle, Denmark (2022); Wonder Women, Jeffrey Deitch, New York and Los Angeles (2022); Tails and Heads, Clearing, New York (2021); Mother and Child, Friend Indeed, San Francisco (2021); No Time Like The Present, Public Gallery, London (2020); Big Painting, Patrick Parrish, New York (2019); Night and Day, Thierry Goldberg, New York (2019); and Nostos, Matthew Brown, Los Angeles (2019).

Sasha Gordon’s work is included in the collections of Cantor Arts Center at Stanford University; Dallas Museum of Art; Hammer Museum, Los Angeles; Institute of Contemporary Art, Miami; Los Angeles County Museum of Art; The Jewish Museum, New York; Museu de Arte Contemporânea de Serralves, Porto, Portugal; and Museum of Fine Arts, Houston.

Sasha Gordon’s work is included in the collections of Cantor Arts Center at Stanford University; Dallas Museum of Art; Hammer Museum, Los Angeles; Institute of Contemporary Art, Miami; Los Angeles County Museum of Art; Museu de Arte Contemporânea de Serralves, Porto, Portugal; and Museum of Fine Arts, Houston.