Kenturah Davis lives and works between Los Angeles, CA and Accra, Ghana. The artist earned her BA from Occidental College, CA and MFA from Yale University School of Art in 2018.

Davis recently opened her first solo institutional exhibition, Everything That Cannot Be Known at the Savannah College of Art and Design Museum (SCAD) in February (2020). Other solo and two-person exhibitions include Blur in the Interest of Precision, Matthew Brown Los Angeles (2019); a two-person exhibition with Desmond Lewis at Crosstown Arts, Memphis, TN in coordination with the traveling venue, Seed Space (2019); and Narratives and Meditations (2014) and sonder (2013), Papillion, Los Angeles. Public projects include Four Women, a commissioned mural by Alliance Francaise to commemorate International Women’s Day, in Accra, Ghana and Metamorphose, comprised of five portraits commissioned by architect Elliott Barnes, featured in Barnes’ installation at the Lâ Exposition AD Interieurs, Paris, France.

Her work has been in institutional presentations in Africa, Asia, Australia, and Europe. Recent exhibitions include Plumb Line: Charles White and the Contemporary, curated by Essence Harden and Leigh Raiford at the California African American Museum, Los Angeles, CA (2019); Punch, curated by Nina Chanel Abney, at Jeffrey Deitch, Los Angeles, CA (2019); and Afrocosmologies: American Reflections, at the Wadsworth Atheneum Museum of Art, Hartford, CT (2019). 

Other notable institutional exhibitions include: Must Risk Delight, organized in collaboration with the 56th Venice Biennale (2015); Linked in Tradition, Inspiring in Vision: A Selection of Works by African American Women Artists, Robert and Frances Museum of Art, San Bernadino, CA (2017); Black Joy, Yale University, New Haven, CT (2016); We Must Risk Delight, at the Accademia di Belle Arti di Venezia, Venice Biennale (2015); The Silence of Ordinary Things, The Mistake Room, Los Angeles (2015); i:23, The Yokohama Triennial, Yokohama, Japan (2014); An American Water Margin, Ucity Museum, Guangzhou, China (2014); Mass Attack, Torrance Art Museum, Torrance, CA (2013); and Mis-Design, Ian Potter Museum, Melbourne, Australia (2011).

Davis was commissioned by the Los Angeles Metro Rail to create large-scale, site-specific work that will be permanently installed on the new Crenshaw/LAX rail line, opening in 2020.

She is an inaugural artist fellow at NXTHVN in New Haven, founded by Titus Kaphar and Jonathan Brand and a current DAMLI fellow at the Cleveland Museum of Art.