TARWUK
MRTISKLAAAH_Die_Erinnerung, 2020
Oil on canvas
54 x 90 x 1 1/2 in 137.2 x 228.6 x 3.8 cm
TARWUK
KLOSKLAS_ Tejivs_kejivu_Irog (semelion), 2021
Resin clay, polyurethane foam, leather, aluminum, steel, coffee, wax, horse bones, deer bones, human teeth, BQE relics
47 x 49 x 37 in 119.4 x 124.5 x 94 cm
TARWUK
MRTISKLAAH_First_Moon, 2020
Oil on canvas
80 x 120 in 203.2 x 304.8 cm
TARWUK
KLOSKLAS_Spomenik_01, 2021
Resin clay, polyurethane foam, leather, aluminum, steel, coffee, linen, organza, plastic, acrylic paint
82 x 40 x 30 in 208.3 x 101.6 x 76.2 cm
TARWUK is the artistic collaboration of Ivana Vuksic (b. 1981, Dubrovnik, Croatia) and Bruno Pogacnik Tremow (b. 1981, Zagreb). Vuksic received her MA from Faculty of Political Sciences, Zagreb and Bruno received dual MFAs from Columbia University and Academy of Fine Arts, Zagreb.
Solo and two person exhibitions include Posadila sam kost u zimskom vrtu, White Cube, London (2023); Ante mare et terras, Maramotti Collection, Emilia Romagna, Italy (2021); A Musical Score at the End of the World, Matthew Brown, Los Angeles, (2021); Bijeg u Noć, Martos Gallery, New York (2020); Pčele su prije bole češće. Nije li tako?Molim?,15 Orient, New York (2020); Vernacular River Holds 6 Bodies Down, Lauba, Zagreb (2020); Second Celebration of the Five, Evening Hours, New York (2019); LENT, Taito Ryokan, Tokyo (2019); TARWUK with Gee Vaucher, Gauntlet, New York (2018); ’…Ti živiš već hiljadu godina.’ Team Gallery, New York (2018); Tužni Rudar,15 Orient, New York (2018); HOST2, Jaakko Pallasvuo and Anni Puolakka, GMK Gallery, Zagreb (2018); 0621_141332 (2), Museum of Fine Art, Osijek, Croatia (2017); HOST, Jaakko Pallasvuo and Anni Puolakka, Showroom MAMA, Rotterdam (2017); Tout est pret. Au premier signal que vous nous enverrez de Trieste, tous se leveront en masse pour l'independence de la Hongrie. Xrzah., Ethnographical Museum of Istria, Pazin, Croatia (2017); help you, help me, Essex Flowers, New York (2017); The Tyranny of White Teeth, Hannah Bonaguoro and Ryan Foerster, Museum of Fine Arts, Split, Croatia (2017); The rash of tommy Borgia, Hannah Bonaguoro and Ryan Foerster, Lazareti 1-5, Dubrovnik, Croatia (2017); j_KOPSA_LUCIS.32, Practice, New York (2016); M491A192()INKAROH, Museum of Modern and Contemporary Art, Rijeka, Croatia (2016); 4D/Dominant Doorman Doorstep Document, Pony Project Gallery, Vienna (2015); No New Followers, Lauba, Zagreb (2015); and Family Totems, Pony Project Gallery, Berlin (2014).
Select group exhibitions include Door to the Atmosphere, Frye Art Museum, Seattle, WA (2022); I’m Not Your Mother, PPOW Gallery, 390 Broadway, Tribeca, NY (2022); Dissolving Realms, Kasmin Gallery, New York (2022); Strange Attractors. The Anthology of Interplanetary Folk Art. Vol. 3: Lost In Space, APALAZZOGALLERY, Brescia, Italy (2022); Recent Sculpture, Matthew Brown, Los Angeles (2022); Exploratory Drawings, Maximillian William, London (2022); Studio Visit. Thoughts and Practices Surrounding Ten Artist’s Studios, Collezione Maramotti, Reggio Emilia, Italy (2021);Anarchy of the Imagination, Kerry Schuss, New York (2021); and Nesvrstani, Lauba, Zagreb, Croatia Drava Art Biennale, MLU, Osijek, Croata (2020).
